![]() If you like, you can use a compass to create an outside border or margin line around the pattern. Check your tracing before you remove the pattern and carbon paper to ensure you have transferred all the necessary pattern lines. Slide the carbon paper in place under the pattern paper, and trace along the outside lines of your grouped elements. Mark any adjustments necessary on your pattern. By sliding the design down along the vertical line the square pattern is now centered to the square area of the plaque.ĥ Place the carbon paper, and trace. For our sample tracing the board has a curved top that affects the placement of the pattern. Ĥ Adjust the pattern as needed to fit the shape of the wood. ![]() Place the pattern on the blank, aligning the fold lines in the paper with the center lines drawn on the blank. Fold the copy of the pattern into quarters. Using your ruler and T-square, mark the center of the carving blank using a horizontal center line and a vertical center lineģ Align the pattern with the center lines. To transfer a pattern to your wood blank, you will need a copy of the pattern, carbon paper, an ink pen, a ruler, a T-square, and tape.Ģ Mark the center of the blank. Follow these steps to trace a pattern using graphite paper.ġ Gather your supplies. Tracing a pattern onto your carving blank is an important step you want to make sure you center the pattern on the wood. This is my favorite form of tracing as it is so easily removed after your pyrography or carving work is done. Pencil rubbing lines can be erased using a white artist’s eraser, making it an excellent method for transferring patterns for carvings that will include some pyrography work. As you trace along the pattern lines, a thin, light gray coating of pencil will be left on the wood blank. Then, place the pattern face up on your carving blank and begin tracing it. The higher the number of your pencil, the darker or blacker the rubbing will be. To use the pencil rubbing method for transferring a pattern, rub a soft #2 to #6 pencil over the back of your pattern paper. ![]() This product works well for both carving and wood burning. Graphite paper can be used several times, so keep previously used pieces for later tracings. Graphite paper is available in sheets as small 8 1/2″ x 11” (216 x 279mm) and as large as 48” x 96” (1219 x 2438mm), and also comes in rolls several yards long. When tracing a pattern, the graphite side is placed against the wood, resulting in a tracing with medium-gray colored lines. This paper is lightweight with a waxed graphite coating on one side, and comes in both pale gray and white. I use carbon paper with my wood carvings, but never with pyrography. However, carbon paper creates a traced line that can not be erased with an eraser, and often can not be removed with fine sandpaper. Carbon paper is perfect for transferring patterns for long-term projects, as the traced lines will not fade or rub off, even after many hours of carving work. Tracings made using this product have heavy, dark, bold lines. Originally used to make multiple copies of a typed or written document, carbon paper comes in black or dark blue. ![]() All three products transfer a pattern to wood, but which you use is determines by the craft you are working. There are several ways to transfer a pattern to a carving blank – carbon paper, graphite paper and pencil rubbing. Irish Patterns to Download, DIY Bookmaking, Bullet Journals, Scrap Booking, Card Making, Applique Quilting, Pyrography, Wood Carving, Doodle Days #9 Wood Burn Spoons, Wood Carved Spoons, Leather Work, Free Lora S.
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